In ‘Unwind’, filmmaker Kate Colley, anticipates a future where we can access the most remote wonders of nature from the comfort of our homes – all we need is a headset and a monthly subscription to the landscape of our choice.

Relatively inclusive and accessible by design, VR could replace unsustainable tourist practices and improve the wellbeing of those in isolation. But whose vision is this?

Carefully manoeuvring between nostalgia and hope, ‘Unwind’, is a meditation over the contradictory promises of immersive technologies. If your VR experience allows you to engage all of your senses – hear the tropical birds, feel the water droplets on your face, smell the blossom – does it matter that none of it is real?